Betty Blythe
Brunette, buxom matinee idol Betty Blythe capitalised on the 'roaring 20's' infatuation with exotic screen sirens to achieve a brief period of stardom. She was notoriously one of the first actresses to ever appear nude (or in various stages of undress) on screen. It wasn't that Betty couldn't act, as well - in fact, she had studied art in Paris and at USC and had appeared on stage in a number of traditional plays like "So Long Letty" in both London and New York. In 1918, she joined a roommate on a visit to the Vitagraph Studio in Brooklyn and found immediate employment when one of the directors needed a leading lady. Two years later, she wound up in Hollywood, was signed by Fox Studios as a replacement for Theda Bara and became the protégé of J. Gordon Edwards (grandfather of Blake Edwards of 'Pink Panther' fame. She was eventually cast as the star of one of the most lavishly produced films of the decade, The Queen of Sheba (1921), directed, of course, by Edwards. Betty later recalled that she was given 28 costumes to wear, all of which would have fitted comfortably into a shoe box. Alas, only a few stills of the movie survive, a fate shared by most of her other silent films. Betty's career was put on hold when Edwards quarrelled with Fox and left the studio. For a while, she freelanced, playing leads in films for lesser studios. She did have a couple of hits in England with Chu-Chin-Chow (1923) and She (1925), in addition to doing theatrical work, which helped her to smoothly make the transition from silent to talking pictures. By that time, however, public tastes had changed and Betty had aged sufficiently to be classified as a character actress. To her credit, she persisted and appeared in support in many an A-grade production, her swan song being a small role in the ballroom scene of My Fair Lady (1964).
Betty Bobbitt
Betty Bobbitt was an American-Australian actress, author, singer, playwright and theatre performer. Betty was born in Manhattan, New York in 1939 . Betty is best known for her role as Judy Bryant in the legendary Australian crime drama Prisoner (1979), where she would stay until her characters exit in 1985. Betty would also make appearances in Blue Heelers (1994), Blue Heelers (1994), Crocodile Dundee in Los Angeles (2001), All Saints (1998). Betty would also make an appearance in a 2019 Neighbours (1985) episode celebrating the 40th anniversary of Prisoner, and be present at the 40th Reunion luncheon held in 2019. After her Prisoner exit Bobbitt would return to the Melbourne Theatre Company and continue her theatre work. Betty would enter semi-retirement in 2010, and run a novelty store, and in 2011 released her book "From The Outside" detailing her time on the hit show Prisoner. Bobbitt passed away on 30 November 2020 after suffering a stroke five days prior. She was 81.
Betty Boogie Parker
Betty Boogie Parker is known for South Park (1997), South Park: Phone Destroyer (2017) and South Park: The Fractured But Whole (2017).
Betty Bronson
Betty Bronson's discovery reads like a Hollywood dream. As a New Jersey teenage bit-player, she was rocketed from obscurity when she was chosen to play the part of Peter Pan in 1924's Peter Pan (1924). She was hand-selected by author J.M. Barrie and beat several Hollywood superstars to the part, most notably Gloria Swanson and Mary Pickford. Pickford, though nearly 30, had built a career out of playing such parts, and faced the first serious threat to her status as "America's Sweetheart". Betty's beautifully expressive performance and unsophisticated looks earned her instant success. For the year following "Peter Pan"'s release, Bronson-mania easily equaled the sort of hysteria previously reserved only for Pickford. Unfortunately, Bronson's studio seemed unsure of how to exploit this talent, which was wasted in small or unchallenging roles. "Peter Pan"'s 1925 follow-up, A Kiss for Cinderella (1925), seemed destined for the same success--but instead was a major flop. In only one year the public taste had changed so much as to render the sentimental entertainment of yesteryear obsolete. Had Bronson emerged ten years earlier she would have been a worthy competitor to Pickford; in 1925, audiences were suddenly more interested in the more adult charms of flappers such as Clara Bow and Colleen Moore. Betty, too, was re-launched as a flapper, sophisticate and occasional period dame. Her career was moderately successful but her superstardom had subsided. She sparkled and demonstrated an excellent voice in her first sound appearance (The Singing Fool (1928) with Al Jolson) but it became clear that her formidable skills as a pantomimist was wasted in the new form. She retired in 1933 to marry, and only appeared on-screen intermittently thereafter.
Betty Buckley
Betty Buckley, who has been called "The Voice of Broadway," is one of theater's most respected and legendary leading ladies. She is an actress/singer whose career spans theater, film, television and concert halls around the world. She is a 2012 Theatre Hall of Fame inductee and the 2017 recipient of the Julie Harris Awards from the Actor's Fund for Artistic Achievement. She won a Tony Award for her performance as Grizabella, the Glamour Cat, in Andrew Lloyd Webber's Cats. She received her second Tony Award nomination for Best Actress in a musical for her performance as Hesione in Triumph of Love, and an Olivier Award nomination for her critically acclaimed interpretation of Norma Desmond in the London production of Andrew Lloyd Webber's Sunset Boulevard, which she repeated to more rave reviews on Broadway. Her other Broadway credits include 1776, Pippin, Song and Dance, The Mystery of Edwin Drood and Carrie. Off-Broadway credits include the world premiere of Horton Foote's The Old Friends for which she received a Drama Desk Nomination in 2014, White's Lies, Lincoln Center's Elegies, the original NYSF production of Edwin Drood, The Eros Trilogy, Juno's Swans and Getting My Act Together and Taking It On The Road. Regional credits include The Perfectionist, Gypsy, Threepenny Opera, Camino Real, Buffalo Gal, Arsenic and Old Lace, The Old Friends at Houston's Alley Theatre and Grey Gardens at the Bay Street Theatre in Sag Harbor, NY and The Ahmanson Theater in Los Angeles in 2016 for which she received an Ovation Award Nomination. In London she starred in Promises, Promises for which she was nominated for An Evening Standard Award and in 2013 the British premiere of Dear World. Ms. Buckley most recently appeared in the new M. Night Shyamalan hit film Split co-starring James McAvoy, released in January 2017. She was nominated for a Saturn Award for her work in the film. Her other films include her debut in Brian de Palma's screen version of Stephen King's Carrie, Bruce Beresford's Tender Mercies, Roman Polanski's Frantic, Woody Allen's Another Woman, Lawrence Kasden's Wyatt Earp and M. Night Shyamalan's The Happening. On television, Buckley most recently guest starred in the NBC Series Chicago Med and in the HBO series The Leftovers and Getting On. She appeared in The Pacific also for HBO and twice on the Kennedy Center Honors. She also starred for three seasons in the HBO series Oz and as Abby Bradford in the hit series Eight Is Enough. She has appeared as a guest star in numerous television series, miniseries and films for television including Evergreen, Roses For The Rich, Without A Trace, Law & Order: SVU and Pretty Little Liars. Buckley tours in concert worldwide with her ensemble of musicians and recently was featured in the Royal Albert Hall concert of Follies in celebration of Stephen Sondheim's 85th birthday. She has recorded 17 CD's: including Ghostlight produced by T Bone Burnett released in 2014 and most recently Story Songs released in April 2017. She received a Grammy Nomination for Stars and The Moon, Betty Buckley Live at the Donmar. She received her second Grammy Nomination for the audio book The Diaries of Adam and Eve. For over forty years Ms. Buckley has been a teacher of scene study and song interpretation, giving workshops in Manhattan and various universities and performing Arts Conservatories around the country. She has been a faculty member in the theatre department of the University of Texas at Arlington and teaches regularly at the T. Schreiber Studio in New York City, The Modern Art Museum of Fort Worth, TX and in Los Angeles, Denver and Oklahoma. In 2009, Ms. Buckley received the Texas Medal of Arts Award for Theater and was inducted into the Texas Film Hall of Fame in 2007. She has two honorary doctorates from The Boston Conservatory and Marymount College and has been honored with three Lifetime Achievement Awards for her contributions to theater from the New England Theater Conference, The Shubert Theater in New Haven and the Terry Schreiber School in NYC.
Betty Cartmill
Betty Cartmill is an actress, known for The Tree (2010).
Betty Clements
Betty Clements is known for Clancy Once Again (2017), Reading Kate (2015) and Fried Green Tomorrows: Juliette, GA Lives (2006).
Betty Compson
A mining engineer's daughter, blond, blue-eyed Betty Compson began in show business playing violin in a Salt Lake City vaudeville establishment for $15 a week. Following that, she went on tour, accompanied by her mother, with an act called 'the Vagabond Violinist'. Aged eighteen, she appeared on the Alexander Pantages Theatre Circuit, again doing her violin solo vaudeville routine, and was spotted there by comedy producer Al Christie. Christie quickly changed her stage name from Eleanor to Betty. For the next few years, she turned out a steady stream of one-reel and two-reel slapstick comedies, frequently paired with Roscoe 'Fatty' Arbuckle. In 1919, Betty was signed by writer-director George Loane Tucker to co-star opposite Lon Chaney as Rose in The Miracle Man (1919). The film was a huge critical and financial success and established Betty Compson as a major star at Paramount (under contract from 1921 to 1925). One of the more highly paid performers of the silent screen, her weekly earnings exceeded $5000 a week at the peak of her career. She came to own a fleet of luxury limousines and was able to move from a bungalow in the hills overlooking Hollywood to an expensive mansion on Hollywood Boulevard. From 1921, Betty also owned her own production company. She went on to make several films in England between 1923 and 1924 for the director Graham Cutts. During the late 1920's, Betty appeared in a variety of dramatic and comedic roles. She received good reviews acting opposite George Bancroft as a waterfront prostitute in The Docks of New York (1928), and was even nominated for an Academy Award for her portrayal of a carnival girl in The Barker (1928). She gave a touching performance in The Great Gabbo (1929), directed by her then husband James Cruze, as the assistant of a demented ventriloquist (Erich von Stroheim), with whom she is unhappily in love. That same year, she appeared in RKO's first sound film, Street Girl (1929), and was briefly under contract to that studio, cast in so-called 'women's pictures' such as The Lady Refuses (1931) and Three Who Loved (1931). The stature of her roles began to diminish from the mid 1930s, though she continued to act in character parts until 1948. Betty's personal fortunes also declined. This came about primarily as a result of her marital contract to the alcoholic Cruze, whom she had divorced in 1929. For several years, Cruze had failed to pay his income tax and Betty (linked financially to Cruze) ended up being sued by the federal government to the tune of $150,000. This forced her to sell her Hollywood villa, her cars and her antiques. In later years, Betty Compson developed her own cosmetics label and ran a business in California producing personalized ashtrays for the hospitality industry.
Betty Cooper
Betty Cooper was born on May 1, 1910 in Bath, Somerset, England. She was an actress, known for BBC Sunday-Night Theatre (1950), The Passionate Pilgrim (1949) and Blackmailed (1951). She was married to Gerald Andersen. She died on February 3, 1979 in Barnes, London, England.
Betty Currie
Betty Currie is an actress, known for Fashionista (2016), Little Brother (2019) and The Will (2018).
