Dorothy Dalba
Dorothy Dalba is known for The Beast of Bottomless Lake (2010), Devil 2.0 (2017) and Polling Rank (2022).
Dorothy Dwyer
Dorothy Dwyer is an actress, known for Don't Look Up (2021), Mona Lisa Smile (2003) and In Dreams (1999).
Dorothy Elias-Fahn
Dorothy Elias-Fahn was born on March 13, 1962 in Los Angeles County, California, USA. She is known for Rupan sansei: Kariosutoro no shiro (1979), Kôkaku Kidôtai (1995) and Rurôni Kenshin - Meiji kenkaku romantan (1996). She has been married to Tom Fahn since November 9, 1985.
Dorothy Fay
Dorothy Fay was born on April 4, 1915 in Prescott, Arizona, USA. She was an actress, known for The Green Archer (1940), Trigger Pals (1939) and White Eagle (1941). She was married to Tex Ritter. She died on November 5, 2003 in Woodland Hills, Los Angeles, California, USA.
Dorothy Ford
Dorothy Ford was born April 4, 1922 and raised in San Francisco and Santa Barbara, California, as well as in Tucson, Arizona. During school she appeared in several pageants, and after graduation went into modeling. Standing 6'2" and with measurements of 38-26-38-1/2, she was a natural for photographic work. Her first job was in San Francisco when Billy Rose cast her in his "Aquacade", along with Johnny Weissmuller, and she was an Earl Carroll showgirl, appearing in various revues including "Something to Shout About" and "Star Spangled Glamour". Ford caught the attention of casting agents, and made her screen debut as a model in Lady in the Dark (1944). MGM put her under contract in 1943, casting her in two musicals, Thousands Cheer (1943) (with Red Skelton) and Broadway Rhythm (1944). Her other appearances that year included Two Girls and a Sailor (1944), Meet the People (1944), Bathing Beauty (1944) and The Thin Man Goes Home (1944). She was seen in The Picture of Dorian Gray (1945) as part of an onscreen performing act and in King Vidor's An American Romance (1944) before she left MGM in 1945. Dorothy studied at the Actors' Lab, the West Coast version of New York City's Group Theater. She had a much fuller role in her Universal Pictures' debut with Bud Abbott and Lou Costello in Here Come the Co-eds (1945), which finally gave her a chance to really act. Playing the captain of a women's basketball team appearing as ringers in a college game, she exuded a bold confidence as well as a shy streak, and stole every scene she was in. She briefly returned to modeling in Rio de Janeiro, as part of South America's first post-war fashion show. It was there that she met Gen. Mark W. Clark, who testified that "this is the first girl I've ever seen who could go bear hunting armed with a switch." In 1946, she returned to MGM and appeared in Love Laughs at Andy Hardy (1946), playing a co-ed who doesn't have a date for the college dance and is unexpectedly matched up with Mickey Rooney. The height difference between Ford and the 5'2" Rooney made for laughs at the homecoming dance, which was the highlight of the film. This was her first major role to play off her height; she wore four-inch heels and publicity stills from the studio listed her height as 6'6". By that time she was often referred to in press releases as a "Glamazon". She was outspoken in advising other tall women that "if nature has made you tall, then be good and tall." During the 1940s, when actresses between 5'8" and 5'10", such as Maureen O'Hara, Ingrid Bergman, Alexis Smith, Angela Lansbury, and Esther Williams, were regarded as formidable, Ford -- at 6'2" and 145 pounds -- was regarded as one of the most striking women in Hollywood. Ford appeared in a New York stage production of "The Big People" (which played off her height in a positive way). In 1948, she was back in Hollywood in an unusual independently-made anthology film, On Our Merry Way (1948). In 1949, she was cast in John Ford's 3 Godfathers (1948) playing the potential love interest of John Wayne. That same year she married James Sterling in Las Vegas. However, just over a month later she obtained an annulment in Ventura, California on the grounds that they were both drunk at the time. Her Superior Court suit said the two never lived together after the rites and that she didn't know she was a bride until two days after the ceremony. Sterling did not contest the suit. As the 1950s began, Ford's career slowed down and her biggest role of the decade came in the Abbott & Costello fantasy-comedy, Jack and the Beanstalk (1952). Evidently, Costello liked Ford and appreciated her sense of humor, because he later included her in an episode of The Abbott and Costello Show (1952). She made various television appearances throughout the 1950s, including "The Adventures of Ozzie and Harriet" and "The Red Skelton Show". In April 1952, aged 30, she married Thomas B. Chambers, an automobile sales manager and tennis star. In 1953, she became pregnant, but was hospitalized after losing the baby. She and Chambers divorced the following year. After an appearance in The Bowery Boys vehicle Feudin' Fools (1952), Ford's screen career started to wind down, but her remaining roles were in some surprisingly high-visibility films. John Wayne cast her in a small role in The High and the Mighty (1954) as a glamour girl with her hooks into 'Phil Harris', and Billy Wilder used her in the opening segment of The Seven Year Itch (1955). Dorothy appeared in several lower-budget films over the next few years, then faded out of movies in 1962 but remained involved with the movie business even after giving up acting, joining MGM as a technician in the studio's film lab in 1965. She was married for 30 years to actor Mike Ragan (born Hollis Alan Bane); they retired to Marina Del Rey, California until his death in 1995. She died in Canoga Park, California on October 15, 2010 at the age of 88.
Dorothy Fuller
It looks like we don't have any Biography for Dorothy Fuller yet.
Dorothy Gallagher
Dorothy Gallagher is an actress, known for Sam and Max: Situation Comedy (2006), Sam & Max Season Two (2008) and Sam and Max: Moai Better Blues (2008).
Dorothy Grace Laity
While pantomime and comedy are her specialist areas and first love, Dorothy has also performed in a wide variety of other disciplines at home and abroad. Highlights have included playing as Colin in Mother Goose, Helena in A Midsummer Night's Dream, Griffon in Alice the Musical and Yvette in 'Allo, 'Allo. Favourite work in other disciplines has included working as a presenter/journalist with the Talking Newspapers Network, as well as various productions in TIE, street theatre, accessible Shakespeare and many others. Now based mainly in Ireland, she continues to work as a freelance actor, voice artist and technician, with a sideline in promoting visibility and greater equality for performers with disabilities. In 2014 she was featured in the film portion of the multi-discipline "The Body Love Project" in a segment on life in the industry for performers with disabilities. She has designed a completely accessible theatre (complete with theatre gardens) and aspires to build it someday. She lives in County Westmeath with her Actor/Magician fiancé (Christophe Lombardi) and her assistance dog, Emma. They share their home with rescue cats and chickens, as well as two fish - Plato and Copernicus. In her limited spare-time, she plays in a competitive knitting group on ravelry and is a member of ICA.
Dorothy Granger
Dorothy Granger was one of the first members of SAG when the Screen Actors Guild was founded over 65 years ago. A Texas beauty contest winner at the age of thirteen, Dorothy's career ran from a long-running two-reel series, as the wife of Leon Errol for RKO, to the long-running television series Death Valley Days (1952) with Ronald Reagan. 'Dott-ee,' as Stan Laurel would call her, worked as a young foil with Laurel and Hardy, a damsel-in-distress for the Three Stooges, and a prop for Lucille Ball to pop in Perfectly Mismated (1934). From one short comedy to another, she worked with every popular comic or comedy team of the twenties and thirties, from Burt Wheeler to W.C. Fields. But Dorothy wanted to be a dramatic actress. She appealed to her funny buddy Andy Devine, who told her, "Put on a petticoat and you'll work forever." She did, and she did. In the forties, it was western after western, working with Lon Chaney Jr. and Andy in North to the Klondike (1942), Randolph Scott and Broderick Crawford in When the Daltons Rode (1940), Robert Young and Betty Grable in Sweet Rosie O'Grady (1943), and Gene Autry in Blue Montana Skies (1939). Tiring of westerns, Dorothy ventured into everything from horrors with Bela Lugosi to musicals to the Charlie Chan series with Sydney Toler. By the fifties, she'd hit her stride, working episodic TV, regularly on The Abbott and Costello Show (1952), Cameo Theatre (1950) with James Drury, and The Jack Benny Program (1950). But like the westerns, Dorothy's style had passed, reducing her to bit roles in films like Dondi (1961) with Walter Winchell and David Janssen, New York Confidential (1955) with Anne Bancroft, and Raintree County (1957) with Montgomery Clift. Andy was right-the petticoat was the most natural wardrobe for Dorothy, since she spent most of her career in petticoats and covered wagons. Dorothy accepted that the West was done. Ending her career with over 250 films, she quit. The three most enjoyable things for Dorothy were making movies, her affair with Clark Gable, and watching her grandnephew, Alex Wilde, grow as an actor.
Dorothy Gulliver
As an avid movie fan, Dorothy got her chance to go to Hollywood when she won a Salt Lake City beauty contest sponsored by Universal Pictures. Signed by Universal after her successful screen test, Dorothy became one of the many contract actors working in small bit parts. She became well known due to her roles in series and serial movies from 'College Love (1929)' to 'The Last Frontier (1932)'. Dorothy appeared in a number of low budget Westerns such as 'In Old Cheyenne (1931)' and 'The Fighting Marshal (1932)'. Over the years that she appeared in Westerns, she worked with actors such as Jack Hoxie, Hoot Gibson, Wild Bill Elliott and John Wayne. By 1933, Dorothy found that her roles had become so small that in the film 'King Kong (1933)', she would be credited as "Girl". For the rest of the decade, she appeared in but a handful of films which were mostly 'B' movie Westerns. After that, she left films.
