Keenan Kampa
Keenan Kampa is an actress, known for High Strung (2016), Swan Lake 3D - Live from the Mariinsky Theatre (2013) and Jérôme Lejeune: aux plus petits d'entre les miens (2015). She has been married to David Sinatra since July 15, 2016.
Keenan Lehmann
Keenan Lehmann is an actor, known for Tales from the Loop (2020), Channel Zero (2016) and The Midnight Man (2016).
Keenan Macwilliam
Keenan MacWilliam is best known for her roles as Carole Hanson #1 on "The Saddle Club" and Karen in "Get a Clue" starring Lindsay Lohan. Keenan MacWilliam is a writer at My House Productions and she's also a research assistant at Markham Street Films. Keenan's favorite color is Purple. In addition to singing and dancing, Keenan plays the guitar and the ukulele. During her spare time she does yoga.
Keenan Mentzos
Keenan Mentzos is an actor, known for Robin Roberts Presents: Mahalia (2021), Jingle Bell Bride (2020) and Christmas Waltz (2020).
Keenan Odenkirk
Keenan Odenkirk is an actor and writer, known for Honeycrisp (2017), The Hidden Driver (2020) and That Night (2022).
Keenan Tracey
Keenan Tracey is an actor and musician based in Los Angeles. He was born in 1991 on July 22nd in Canada, and spent much of his early life moving around the world, living in South Africa, Israel, Egypt and Amsterdam. He was introduced to film at a young age by his father who is also an actor, who was largely responsible for introducing him to the instruments he still plays today, including guitar, piano and drums as well as vocals. He began acting professionally at 17. His early roles included guest stars in Fringe, Supernatural, and Arctic Air, in which he was nominated for a UBCP Award in the category of Best Newcomer. He then recurred largely in Bates Motel, The 100, The Returned and Rogue. He was nominated for a Leo Award as Best Supporting Actor for his supporting lead role in The Hunters, and has since lead other movies such as the upcoming thriller Polaroid, as well as Extracurricular, both set to release in 2019.
Keenan Wynn
The talented scion of a show-business family, Keenan Wynn's father was the great burlesque and television buffoon Ed Wynn while his maternal grandfather, Frank Keenan, earned distinction on the other side of the entertainment ladder as a Shakespearean tragedian. Mother Hilda Keenan was also a minor actress. Born in New York City on July 27, 1916, during the height of his father's Broadway popularity, Keenan grew up in the lap of luxury and was educated at St. John's Military Academy. He initially followed in his grandfather's dramatic footsteps as opposed to his father's clown shoes, making his professional bow in Maine with the Lakewood Players in a production of "Accent of Youth". By 1937, he was on Broadway with "Hitch Your Wagon" in two small roles. During the run of the show, he met first wife, actress Evie Wynn Johnson, who became his coach, manager and advisor. At the same time, he began to get steady radio work. Through the aid and encouragement of his wife and her contacts, he eventually wrangled screen tests for both 20th Century-Fox and MGM. Turned down by the first studio, he signed with Metro-Goldwyn-Mayer at a rather low pay scale of $300 a week. At MGM, Keenan became the utilitarian character player, adept at playing almost anything handed to him. Balding, homely but with real distinctive, imposing features, he made his unbilled debut in Somewhere I'll Find You (1942), and went on to play a grab-bag of shady brutes, usually in comic relief style. He was Gene Kelly's agent in For Me and My Gal (1942), a gangster in Lost Angel (1943), a soldier buddy to Robert Walker in See Here, Private Hargrove (1944) and its sequel; a drunk in a diner in The Clock (1945); Lucille Ball's tipsy beau in the Katharine Hepburn / Spencer Tracy vehicle Without Love (1945); and a news editor paired up with Ms. Ball again in Easy to Wed (1946). Moreover, he was given "B" co-star assignments in lesser material such as The Thrill of Brazil (1946), No Leave, No Love (1946) and The Cockeyed Miracle (1946). Two sons were born to Keenan and Eve during the war years but he and Eve soon drifted apart. In 1946, the couple filed divorce papers with a third-party involvement in the form of family close friend and MGM star Van Johnson. Eve went on to marry Johnson the day after the couple's divorce was decreed in 1947. Keenan's second marriage in 1949 to Betty Jane Butler lasted only four years. He resigned with Metro-Goldwyn-Mayer in the postwar years and ventured on as one of Hollywood's strongest character players. The drawback was that not many of his roles were high-quality challenges, roles that might have moved him toward the top of the MGM hierarchy. The more scene-stealing roles that came to him were his disagreeable, self-important burlesque star in the Clark Gable starrer The Hucksters (1947); his jazz reedman in Song of the Thin Man (1947); and the songwriter friend to Kirk Douglas in My Dear Secretary (1948). He was also given his quota of vulgar, blunt-talking villains to play, both comically and dramatically, in such films as Love That Brute (1950), Kind Lady (1951) and, in particular, his Runyonesque gangster in the musical classic Kiss Me Kate (1953). Partnered with co-hort James Whitmore, their rendering of "Brush Up Your Shakespeare" was one of many comedy highlights. He also doled out a number of brash soldier types in such films as Fearless Fagan (1952), Battle Circus (1953), Code Two (1953) and Men of the Fighting Lady (1954). After leaving Metro-Goldwyn-Mayer in 1954, he set his sights on television, but the lure of films (and steady work) never stopped. In The Great Man (1956), Keenan finally appeared with father Ed Wynn, who had suffered a major career slide and subsequent nervous breakdown. Keenan, who at one time had gone to great lengths to extricate himself from his father's famous shadow, was now an instrument of encouragement. He suggested the elder Wynn abandon his old-styled clowning in favor of a serious character acting. His father agreed to try and appeared in a small role in the film but they had no scenes together. The risk worked. The following year both were being hailed for their superlative work together in the dramatic television production Playhouse 90: Requiem for a Heavyweight (1956). Disney employed both father and son in the 1960s with a mustachioed Keenan as an exceptionally hissable villain in the studio's comedy feature The Absent Minded Professor (1961) and its sequel, Son of Flubber (1963). His hammy antics were spurred on in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), The Great Race (1965), Viva Max (1969) and Pretty Maids All in a Row (1971), along with standard, if not always stand-out, television work. His annoying, fast-talking conmen, scheming tycoons and other unappetizing cronies never lost their demand. In 1975, he earned an Emmy Award nomination for his guest-starring role on Police Woman (1974). Though his later years were marred by a severe case of tinnitus (a ringing in the ear that blocks out exterior sound), he was able to continue acting until the very end. One of his last roles was as a regular on the short-lived television series The Last Precinct (1986). Sons Ned Wynn ("Edmund") and Tracy Keenan Wynn became successful writers in the business. On October 14, 1986, Keenan Wynn died of pancreatic cancer at age 70 and was survived by third wife Sharley Jean Hudson, who had three daughters by him: Hilda, Emily and Edwina. His granddaughter Jessica Keenan Wynn (Edwina's daughter) is also a Broadway singer and actress.
Keene McRae
Keene McRae is an actor and director, known for Shot in the Dark (2021), Wild (2014) and How'dy! (2020).
Keenen Ivory Wayans
The trail-blazing linchpin of a sprawling family dynasty of comic entertainers, it was multi-talented writer/director/producer Keenen Ivory Wayans (born June 8, 1958, in New York City) who led the familial pack and was the first to achieve national prominence when he successfully created, launched, wrote, hosted and starred in In Living Color (1990), a landmark 1990s black-oriented comedy sketch satire on Fox TV that beat the odds and transcended the then-narrow periphery of TV comedy to became a defiant movement of inclusion. It was a brilliant showcase for up and coming comics and not only ignited/advanced the careers of his own younger talented siblings (Damon Wayans, Kim Wayans, Shawn Wayans, Marlon Wayans), but the superstar film careers of Jim Carrey and Jamie Foxx. The second of ten children of Howell Wayans, a grocery store manager, and Elvira Wayans, a social worker and singer, Keenan attended Seward Park High School, then majored in engineering at Alabama's Tuskegee University. He dropped out during his senior year when the comedy bug hit him full force. Heavily influenced by Richard Pryor, he found only lukewarm success on the New York stand-up stage, deciding later to relocate to Los Angeles in order to pursue film and TV opportunities. After being glimpsed in bit parts in such TV shows as "CHiPs" "The Renegades" and "Cheers" along with the minor part of a stand-up comic in the Bob Fosse-directed biopic Star 80 (1983), Keenen found his first real break in the sudsy ensemble TV military series For Love and Honor (1983) as Army Pvt. Duke Johnson, part of an artillery unit who aspired to become a professional boxer. From this, he moved onto more visible roles on nighttime TV, including "Hill Street Blues," "Benson" and "A Different World." After hooking up with star comedian Eddie Murphy and earning a writing credit for the opening sketch of the star's raunchy live performance documentary Eddie Murphy: Raw (1987) and a TV writing nod for Joan Rivers's nighttime chat show The Late Show (1986), Keenen's name became known as an actor and writer. Partnering with actor/writer/producer/director Robert Townsend, he had his first film hit with the film Hollywood Shuffle (1987), a biting satire highlighting the plight of the black actor in 70's Hollywood. Done in hilariously stereotypical fashion, one great bit had detective Townsend battling a blaxploitation villain named Jerry Curl (Wayans). Keenan went solo (writer/director/star) for his next similar 70s blaxploitation parody, the even bigger hit I'm Gonna Git You Sucka (1988). Here he played the revenge-minded, but not particularly macho Jack Spade alongside such icons of blaxploitation cinema as Jim Brown, Isaac Hayes, Bernie Casey and Antonio Fargas, as well as several members of his family. These two major successes led to the irreverent, controversial, Emmy-winning TV satire In Living Color (1990). This Fox show would become Keenen's creative baby and prized pièce de résistance that would effectively showcase his deviously scathing social humor. He also turned the show into a family act as well with Damon, Kim, Marlon and Shawn all part of the wild and woolly ensemble. Opening each episode surrounded by the beautiful dancing "Fly Girls" (one of the season's replacements would be Jennifer Lopez), the nattily-dressed Keenen would graciously spotlight his comedy troupe more than himself. The show caught on quick; however, squabbles with the network over creative control, censorship and financial issues led to an incensed Keenen abruptly leaving his show in 1992, after only two seasons. His exit was quickly followed by his family performers. When it comes to outrageous satire, Keenen has few peers and immediately picked up where he left off as a writer, director and star of in his own film comedy vehicle, the action-filled A Low Down Dirty Shame (1994) in which he plays a private detective named Shame who takes on drug lords. He next supported brothers Shawn and Marlon with a bit role as a mailman in their own popular crime comedy vehicle Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996), then was given the chance to hang opposite action star Steven Seagal in Seagal's producing vehicle The Glimmer Man (1996) as two cops out to solve some murders. With his next film vehicle project, Keenen decided to write but left the directing chores to David Hogan in a dramatic change of pace with Most Wanted (1997). He plays a Marine and special operations officer on a top secret mission who gets framed for an attempted assassination. Towards the end of the 1990's Keenen attempted his own nighttime talk show, described as ("late night talk the Wayans way"). As host, writer and executive producer, The Keenen Ivory Wayans Show (1997) had heavy competition and did not catch fire, barely lasting a couple of seasons. Come the millennium, however, Keenen set his sights on directing (and appearing in a minor role) the riotously crude horror film spoof Scary Movie (2000), which prominently displayed brothers Shawn and Marlon (also co-writers). This would become a blockbuster hit. The following year he also directed the first sequel Scary Movie 2 (2001). Continuing to keeping things more or less a family affair, he directed and co-wrote (only) Shawn and Marlon's crime comedy vehicles White Chicks (2004), as two FBI agents who go undercover in drag, and Little Man (2006), as criminal brothers, one being a dwarf(!); appeared as a guest on brother Damon's sitcom "My Wife and Kids"; and co-wrote and had a featured part in another all-inclusive Wayans project Dance Flick (2009), which mercilessly pokes fun at dance movies. This film was directed by nephew Damien Dante Wayans, co-written by Keenen, Shaun, Marlon, Damien and Craig Wayans, produced by Keenen, Shawn, Marlon, Damien and Craig, and starring nephew Fast Girl (2008) with other performances by Keenen, Shawn, Marlon, Damien, Kim, Craig, niece Chaunte Wayans and nephew Michael Wayans. After laying low for several years, Keenen, the divorced father of five children, returned to direct several episodes of the comedy series The Last O.G. (2018) starring Tracy Morgan as an ex-con adjusting to the outside.
Keeno Lee Hector
Keeno Lee Hector is known for Bloodshot (2020), Bluestone 42 (2013) and Tremors: A Cold Day in Hell (2018).
