Lyle Menendez was born to a to a Cuban-American business executive, Jose Menendez and a schoolteacher, Kitty Menendez. After his birth, his mother became a full-time homemaker and his father immediately set about making sure his oldest son was even more successful in business then he was and give him a good name in the process. In achieving that goal, Jose became a stern, domineering, perfectionist father who controlled what Lyle would eat, who he could associate with, what books and television shows he was exposed to, and even tried to control his thoughts. Starting in grade school, Jose would question him about current events at the dinner table and berate him for unsatisfactory answers. His mother supported his father's methods, and in addition was subject to dramatic mood swings that her sons had to endure. The pressure took a toll on Lyle, who developed a bed-wetting problem at the age of 14 and suffered from insomnia. He also came to have a fierce temper. In high school his father ordered him to find a sport at which to excel, one that didn't involve being on a team. Lyle chose tennis, and was the highest-ranked member of the tennis squad. His grades were only average, however, which caused further tension at home. After graduating high school he was rejected by Princeton University and attended a local community college. He fell in love with a girl and wanted to open a restaurant, but his parents disapproved and their interfering ended the romance, engendering enormous resentment in Lyle. He was accepted into Princeton on his second try, but shortly afterwards was suspended for plagiarism. He returned a year later and fell in love with a model, but again his parents put an end to his romance. Lyle disliked school and only went through the motions, and his low grades led to academic disciplinary action. The brothers' home life became, to them, more tense and unbearable by the day, and the result was that on August 20, 1989, they killed both of their parents in their living room with a shotgun. They then went on a spending spree until Lyle's arrest in March of 1990. The ensuing trial caused nationwide publicity, as the brothers said they killed their parents after years of horrific abuse, particularly from their father. Also disturbing was Lyle's statement to a psychiatrist that their father would be proud of them for committing such a brutal, efficient murder. Their testimony was so compelling that the first trial ended in a hung jury. However, in the second trial, both were convicted of first-degree murder, though spared the death penalty. They were sentenced to life in prison without the possibility of parole.
Lyle Miller is known for Market Value (2017), The Last Shift (2020) and Chicago Med (2015).
Lyle Mitchell Corbine, Jr. ,as a preteen growing up on and around Native American reservations in Wisconsin and Minnesota where his father was a casino executive and his mother a psychologist, was like others of his generation a movie fan but didn't know anything about films that had actually been made by other native Americans until a visit by Bird Runningwater of the Sundance Institute.He then switched from doing his earlier photography and drawing to making his own short subjects using digital single lens reflex cameras and local crews,after which finally several works were accepted at festivals.
Lyle Morris is an actor, known for 2030 CE (2002), A Desperate Road (2018) and Running Water (2019).
Lyle Reginald is an actor, known for The Edge of Seventeen (2016), Travelers (2016) and Supernatural (2005).
Lyle Sandoval is an actor, known for Woman Walks Ahead (2017).
Lyle Shelley is known for Project E.1337: ALPHA (2022), Wu Xia 2 the Code (2019) and The Mephistophiliac.
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Lyle Talbot, who appeared in over 150 movies from leads in Warner Bros.' "pre-Code" pictures to countless supporting roles, and later enjoyed a steady TV career as a character actor, was born Lysle Henderson on February 8, 1902, in Pittsburgh, Pennsylvania. He grew up in a small town in Nebraska, where after the early death of his mother, he was raised by her mother, Mary Hollywood Talbot, whose name he later bore professionally. Talbot's incredibly long and varied show-business career began right after high school, when he joined a traveling tent show. Starting out as a magician-hypnotist's assistant, he worked his way up to magician before quitting the carny's life for that of the stock theater. He learned to act with stock companies throughout the Midwest, where he became a leading man, and even formed his own short-lived company in Memphis, Tennessee, "The Talbot Players," which included his actor father and stepmother, Ed and Anna Henderson. By 1931 he was in Hollywood as the talkies were maturing. He had the good looks of a star but, more importantly, he had a rich baritone voice that the talkies needed. After a screen test in which he inadvertently mocked Warner Bros. production head Darryl Zanuck but impressed director William "Wild Bill" Wellman, Talbot was signed by Warner Bros.-First National. The studio gave him a plum part in William A. Wellman's Love Is a Racket (1932) co-staring with Douglas Fairbanks Jr., Ann Dvorak and the fast-talking Lee Tracy. He appeared in "A" pictures in the 1930s in supporting roles, including Three on a Match (1932), 20,000 Years in Sing Sing (1932), and One Night of Love (1934) (with opera star Grace Moore), but his work was mostly in "B" pictures, in which he frequently played leads. Although he thoroughly enjoyed the work, acting was practiced as an assembly line operation at the time. Actors would be assigned work usually based on 12-hour days and six-day weeks, and commit themselves to the infamous seven-year exclusive contract that included draconian suspension penalties in the fine print. Talbot, along with James Cagney, Olivia de Havilland and Bette Davis (ironically all WB contract players), were outspoken in their commitment to change working conditions for actors. Talbot was one of the founders of the Screen Actors Guild and the first employee of the Brothers Warners to join the union, much to their ire. As a matinee idol during the Depression, frequently playing a gangster or tuxedo-clad man about town, Talbot co-starred with the leading actresses of the day, including Ginger Rogers, Mary Astor, Bette Davis, Barbara Stanwyck, Glenda Farrell, Kay Francis, Mae West, Ann Dvorak, Loretta Young, Carole Lombard and Shirley Temple. Later, as a character actor, Talbot appeared as Commissioner Gordon in the 1949 serial Batman and Robin (1949) and was Lex Luthor in Atom Man vs. Superman (1950) the next year. Talbot took on a tremendous number of roles, either because he was not discriminating enough, always wanted to keep working, or simply appreciated the money. In the early 1950s he appeared in several of Edward D. Wood Jr.'s most notorious films, including the infamous transvestite tear-jerker Glen or Glenda (1953) and the famously inept Plan 9 from Outer Space (1957). Aside from Bela Lugosi, Talbot was Wood's most famous star. Talbot's acting career thrived on television, in which he appeared from the beginning of the medium until the 1980s. He co-starred as Ozzie Nelson's friend Joe Randolph on The Adventures of Ozzie and Harriet (1952) and as Robert Cummings' Air Force buddy in The Bob Cummings Show (1955) (also known as "Love that Bob") and made guest appearances on a plethora of TV series, including Leave It to Beaver (1957), The Lone Ranger (1949), Topper (1953), The George Burns and Gracie Allen Show (1950), Perry Mason (1957), Rawhide (1959), Wagon Train (1957), The Beverly Hillbillies (1962), Green Acres (1965), Charlie's Angels (1976), Newhart (1982), The Dukes of Hazzard (1979) and Who's the Boss? (1984). Throughout his film and TV career, Talbot continued to perform on stage, co-starring in "Separate Rooms" on Broadway in the early 1940s and starring in national touring companies of Neil Simon's "The Odd Couple" and summer stock tours of Gore Vidal's "The Best Man" and Thornton Wilder's "The Matchmaker." In 1967 he co-starred in a revival of "South Pacific" at New York's Lincoln Center with Florence Henderson. Lyle Talbot died of natural causes on March 3, 1996, in his home in San Francisco, California, at the age of 94, the last of the SAG founders to shuffle off this mortal coil.
Lyle Vann is known for The Suckers (1972) and Saddle Tramp Women (1972).